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| CAROL HINZ |
Carol Hinz is Editorial Director of Millbrook Press and Carolrhoda Books, divisions of Lerner Publishing Group. She began her publishing career in New York City and has been an editor at Lerner for nearly fifteen years. When she’s not obsessing over books, Carol enjoys playing with her sons (ages 7 and 4), baking, knitting, and taking ballet classes. Find her on Twitter: @CarolCHinz.
Based on our email exchanges, I've come to discover that Carol is as warm and friendly as the smile in her photograph suggests. Not only that, she's curious, she's a deep thinker, she loves a creative challenge, she cares about the state of our world, she celebrates what makes life beautiful, and she's always on the lookout for "aha" moments. Best of all, these same qualities shine through her work as a children's book editor!
You can find several books that Carol has edited right here on Today's Little Ditty.
From Millbrook Press:
Laura Purdie Salas was our debut spotlight author in May 2014. At the time, she introduced us to Water Can Be.... I reviewed A Rock Can Be... in March 2015.
Irene Latham was featured with Dear Wandering Wildebeest in September 2014. Following that book's success, we were introduced to When the Sun Shines on Antarctica in 2016.
Other recent poetry books from Millbrook Press include
Brian P. Cleary's Poetry Adventures series and
Betsy Franco's A Spectacular Selection of Sea Critters. Find more books Carol has edited
on Pinterest.
From Carolrhoda Books:
Some of you might remember Santa Clauses: Short Poems from the North Pole by Bob Raczka, featured in November 2014. It's one of my favorite holiday books (even if it wasn't edited by Carol) because it's so perfect for family sharing. You can read a poem each day in December, counting down to Christmas like an Advent calendar.
Feeding the Flying Fanellis by Kate Hosford is another fun poetry collection from Carolrhoda Books that came out in 2015. It wasn't featured on
Today's Little Ditty, but you can find
a terrific review on Jama's Alphabet Soup.
Typically when I feature an editor in November, I like to look back on what they have published during the year. But Carol has a special treat for us today. Not only will we be highlighting two books from 2017, but we'll also get an advance look at three books coming out in 2018! Here they are, in the order they were or will be released:
If You Were the Moon by Laura Purdie Salas, illustrated by Jaime Kim (Millbrook Press, March 1, 2017)
What would you do if you were the moon? Do you think you would rest
quietly in the night sky? Oh, no. The moon does so much more than you
might imagine! It spins like a twilight ballerina, plays tug-of-war with
the ocean, and lights a pathway for baby sea turtles. Discover the many
other roles the moon plays in this whimsical and lyrical picture book.
Recently placed on
the longlist for the 2017 AAAS/Subaru SB&F Prize for Excellence in
Science Books in the Children’s Science Picture Book category.
Purchase at
Amazon.com,
Barnes & Noble, or from
your local independent bookstore.
The Sun Played Hide-and-Seek by Brian P. Cleary, illustrated by Carol Crimmins (Millbrook Press, August 1, 2017)
A
young student has to give a presentation about personification— and
she's petrified! How can she explain something that gives human traits
to things that aren't human? If only she could take a trip to the park
and show everyone the way the fountain hiccups, the daffodils dance, and
the wind whispers a tune . . . or maybe that's just what she'll have to
do!
From School Library Journal:
"This work is sure to engage primary-grade students with its simple yet
instructive story line and delightful illustrations. A good choice for
classroom use as well as pleasure reading."
Purchase at Amazon.com, Barnes & Noble, or from your local independent bookstore.
Can I Touch Your Hair: Poems of Race, Mistakes, and Friendship by Irene Latham and Charles Waters, illustrated by Sean Qualls and Selina Alko (Carolrhoda Books, January 1, 2018)
How can Irene and Charles work together on their fifth grade poetry
project? They don't know each other . . . and they're not sure they want
to.
Irene Latham, who is white, and Charles Waters, who is
black, use this fictional setup to delve into different experiences of
race in a relatable way, exploring such topics as hair, hobbies, and
family dinners. Accompanied by artwork from acclaimed illustrators Sean
Qualls and Selina Alko (of
The Case for Loving: The Fight for
Interracial Marriage), this remarkable collaboration invites readers of
all ages to join the dialogue by putting their own words to their
experiences.
Many of us have been eagerly anticipating this book's release! In a starred review, Kirkus calls it "a brave and touching portrayal
worthy of sharing in classrooms across America."
Pre-order at
Amazon.com,
Barnes & Noble, or from
your local independent bookstore.
Seeing Into Tomorrow: Haiku by Richard Wright, biography and illustrations by Nina Crews (Millbrook Press, February 1, 2018)
From walking a dog to watching a sunset to finding a beetle, Richard
Wright's haiku puts everyday moments into focus. Now, more than fifty
years after they were written, these poems continue to reflect our
everyday experiences. Paired with the photo-collage artwork of Nina
Crews,
Seeing into Tomorrow celebrates the lives of
contemporary African American boys and offers an accessible introduction
to one of the most important African American writers of the twentieth
century.
Seeing Into Tomorrow has been named a Junior Library Guild selection. Visit
Nina Crews's website for another peek at this gorgeous book.
Pre-order at
Amazon.com,
Barnes & Noble, or from
your local independent bookstore.
Meet My Family! Animal Babies and Their Families by Laura Purdie Salas, illustrated by Stephanie Fizer Coleman (Millbrook Press, March 1, 2018)
What kind of families do animal babies have? All different kinds!
Charming text and sweet illustrations introduce a wolf pup cared for by
the pack, a young orangutan snuggling with its mother high in a tree, a
poison dart frog tadpole riding piggyback on its dad, and more.
Featuring rhyming verse and informational text, this book lets you
discover just how diverse the animal kingdom really is!
Pre-order at
Amazon.com,
Barnes & Noble, or from
your local independent bookstore.
And now that you've met the books, it's time to meet their editor—Carol Hinz! We'll start with five of her favorite things:
Favorite Color: blue (all shades)
Favorite Childhood Memory:
I climbed a tree in my neighbor’s backyard so I could sit up high on a branch and read. It wasn’t nearly as comfortable as I’d imagined it would be!
Favorite Subject in School:
I had trouble picking a single favorite subject; I remember being a senior in high school and feeling torn between pursuing English and pursuing science. And that’s one reason I enjoy editing nonfiction so much—I’m still learning about so many different things!
Favorite Quote:
"It’s startling how I start to see the beauty in things that I was taught not to see beauty in."
—STEiNUNN
I came across this quote as part of the Weather Diaries exhibit at the American Swedish Institute earlier in 2017.
Favorite Pastime:
I’ve been taking ballet for many years—I have a wonderful teacher and our classes have live piano accompaniment, which is fantastic.
As one of the largest independently owned children’s book publishers in the United States, Lerner Publishing Group includes more than twenty imprints and partners. What makes Millbrook Press and Carolrhoda Books unique?
Ooooh, good question! Let me take the two imprints separately. To me, Millbrook is unique because of its singular focus on curricular topics presented in a fun or unusual way for readers in grades k-5. In addition, I’d say that we have a real commitment to maximizing the visual appeal of all of our nonfiction to create an enticing and cohesive whole.
With Carolrhoda Books, I focus on the picture books—several of my very talented colleagues oversee the novels. We publish a carefully curated picture book list that sparks readers’ imaginations and offers new ways of looking at the world.
Have you always envisioned yourself with a career in children’s publishing? What is it about editing books for children that keeps you captivated?
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| Carol Hinz, age 13, curled up with a good book. |
Not exactly. I’ve loved books since I was a child, but for a long time I thought I would be a teacher. In college I became curious about book publishing, and after graduation I completed the Radcliffe Publishing Course and moved to New York City. I was fortunate that my first job gave me the chance to work on both adult and children’s books, and I began to develop a new appreciation for children’s books. When I decided I wanted to move to Minneapolis, Lerner Publishing Group just happened to have an opening in the editorial department!
What keeps me captivated? So many things! I love that in making books, there are constant creative challenges—both with the text and the art. And as I deepen my relationships with authors over the course of several books, we’re able to get into topics and themes that we might not have tackled in our first book together. There’s so much to explore within the realm of “children’s books,” and I love the chance to take risks and take on topics that haven’t previously been covered for children.
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Carol Hinz at NCTE with authors Laura Purdie Salas (L) and Irene Latham (R)
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| Carol Hinz with author Charles Waters |
Judging by the books you’ve worked on, you seem at home with poetry, rhyme, and lyrical language. Is poetry something you were introduced to as a child?
My mother read to me from the time I was young, including nursery rhymes. My first real exposure to contemporary poetry came during my internship at Graywolf Press one summer during college. I have to say, I’m not always sure I’m entirely comfortable with poetry, but perhaps that’s why I’m so interested in it. I am always trying to figure it out, to understand what poetry can do that other forms of writing can’t do (or can’t do in the same way), and to see what’s possible within the constraints of a given format.
Would you share a poem that’s meaningful to you, either from your childhood or as an adult?
One of the most powerful poems I encountered in recent years is this haiku from Claudia Rankine’s book Citizen:
because white men can’t
police their imaginations
black men are dying
In just 11 words, Rankine made an incredibly powerful statement about
what’s been happening in our country. Her whole book got me thinking
about the ways in which poetry can cut to the heart of a topic and the
ways in which poets offer essential insights into the past, present, and
future.
Nonfiction is the bread and butter of Millbrook Press. How would you characterize the relationship between poetic language and informational subject matter?
It’s interesting because on the face of it, most people might think nonfiction wouldn’t be good fit with lyrical language. But I think poetry and lyrical language can help to take a nonfiction topic that might not be inherently interesting to certain kids (or adults) and offer them new ways to understand and appreciate it. Poetic language, particularly rhyme, can also help bring a sense of playfulness to a topic. And an author can use the structure of a poem to bring together images and ideas that might not appear together in a more straightforward prose piece on the topic.
You go to great lengths to make nonfiction approachable and engaging for children in other ways, as well. Using your 2017 and 2018 books as examples, please describe what excites you about each of them.
Thank you so much! With each of these books, I found something fresh in either the topic being explored or the presentation of information about that topic.
If You Were the Moon by Laura Purdie Salas, illus. by Jaime Kim.
This book begins with a child speaking to the moon, and the moon replies . . .
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| From If You Were the Moon by Laura Purdie Salas and Jaime Kim (Millbrook Press, 2017) – click to enlarge |
in the form of a list poem! I love the choice to have the moon narrate most of the book as well as the fascinating facts Laura brought into the brief sidebars on each spread. And Jaime Kim’s illustrations are gorgeous to boot.
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| From If You Were the Moon by Laura Purdie Salas and Jaime Kim (Millbrook Press, 2017) – click to enlarge |
The Sun Played Hide-and-Seek: A Personification Story by Brian P. Cleary, illus. by Carol Crimmins.
I am always impressed at the way Brian Cleary can present information using rhyming verse.
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| From The Sun Played Hide-and-Seek by Brian P. Cleary and Carol Crimmins (Millbrook Press, 2017) – click to enlarge |
He doesn’t let the structure of the verse limit what he can do—instead he makes the structure work for him. This particular book makes personification extremely accessible to both teachers and students.
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| From The Sun Played Hide-and-Seek by Brian P. Cleary and Carol Crimmins (Millbrook Press, 2017) – click to enlarge |
Can I Touch Your Hair? Poems of Race, Mistakes, and Friendship by Irene Latham and Charles Waters, illus. by Sean Qualls and Selina Alko.
How do we talk about race in America with our children? This book offers a way to begin a conversation with middle-grade kids.
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From Can I Touch Your Hair by Irene Latham, Charles Waters, Sean Qualls and Selina Alko
(Carolrhoda Books, 2018) – click to enlarge |
I am so grateful to Irene and Charles for putting so much of themselves and their own childhood experiences into this book, and to Sean and Selina for creating art that shows two people who begin the book as strangers and end it as friends.
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From Can I Touch Your Hair by Irene Latham, Charles Waters, Sean Qualls and Selina Alko
(Carolrhoda Books, 2018) – click to enlarge |
This book really shines when it's read aloud, and I could easily envision having pairs of students recite different pairs of poems and then write their own poems in response.
Meet My Family! Animal Babies and Their Families by Laura Purdie Salas, illus. by Stephanie Fizer Coleman.
Baby animals are incredibly appealing,
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| From Meet My Family! by Laura Purdie Salas and Stephanie Fizer Coleman (Millbrook Press, 2018) – click to enlarge |
but Laura didn’t simply put together a list of cute baby animals. Instead she found a way to explore the diversity of animal families around the globe while giving readers the chance to “meet” the sweet babies.
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| From Meet My Family! by Laura Purdie Salas and Stephanie Fizer Coleman (Millbrook Press, 2018) – click to enlarge |
Seeing into Tomorrow: Haiku by Richard Wright, biography and illustrations by Nina Crews.
Although I’d read two novels by Richard Wright, I wasn’t aware that he’d turned to writing haiku at the end of his life. Nina Crews has gathered together twelve very accessible haiku and paired them with photo collage pieces that feature contemporary black boys doing ordinary things—from riding a bike to going fishing to flying a kite.
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| From Seeing into Tomorrow by Richard Wright and Nina Crews (Millbrook Press, 2018) – click to enlarge |
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| From Seeing into Tomorrow by Richard Wright and Nina Crews (Millbrook Press, 2018) – click to enlarge |
It’s a beautiful celebration of black boyhood that readers of all backgrounds can appreciate.
If you had all the world’s children in one room, what would you tell them?
Oh, goodness! I think I’m going to have to borrow from some very wise words that Sachiko Yasui told Caren Stelson in response to a similar question. This response comes near the end of Caren’s book Sachiko: A Nagasaki Bomb Survivor’s Story. Sachiko offers this advice to the world’s young people:
What is peace? What kind of person should I be? Keep pursuing the answers to these questions.
Finally, please tell us what you have chosen as this month’s ditty challenge.
Returning to my favorite quote from earlier, I would like your readers to write a poem that finds beauty in something that is not usually considered beautiful.
It's a beauty of a challenge, I can tell you that!
I look forward to a month filled with fresh perspective and eye-opening words. What a wonderful gift at a time when we need it most.
Before you dive in, though, please help me thank Carol Hinz for letting us get to know her better, sharing her editorial insights, and giving us a peek at these wonderful treasures from Millbrook Press and Carolrhoda Books!
Oh, and one more thing—
Carol has sent me a copy of The Sun Played Hide-and-Seek: A Personification Story to pass on to one lucky DMC participant, selected randomly at the end of the month. Beauty!
HOW TO PARTICIPATE:
Post your poem that finds beauty in something not usually considered beautiful on our
November 2017 padlet. Stop by any time during the month to add your work or to check out what others are contributing.
By posting on the padlet, you are granting me permission to share your poem on Today's Little Ditty.
Some poems will be featured as daily ditties, though authors may not be
given advanced notice. Subscribe to the blog if you'd like to keep
tabs. You can do that in the sidebar to the right where it says "Follow
TLD by Email." As always, all of the poems will be included in a wrap-up
celebration on the last Friday of the month—November 24th for our
current challenge.
TEACHERS, it's great when students get involved! Ditty of the
Month Club challenges are wonderful opportunities to learn about working
poets and authors while having fun with poetry prompts. Thank you for
spreading the word! For children under 13, please read my COPPA
compliance statement in the sidebar to the right.
FIRST-TIMERS (those who have never contributed to a ditty
challenge before), in addition to posting your work on the padlet,
please send your name and email address to TodaysLittleDitty (at) gmail
(dot) com. That way I'll be able to contact you for possible inclusion
in future Best of Today's Little Ditty anthologies.
BLOGGERS, thank you for publishing your poems on your own blogs– I
love that! Please let me know about it, so I can share your post! Also remember to include your poem (or a direct link
to your post) on the padlet in order to be included in the wrap-up
celebration and end-of-month giveaway.
* * * * * * * * * * * * * * * * * * * * * * * * * *
Thanks once again to everyone who participated in last month's challenge to write a poem about a person, place, or thing that spooked you as a child. After
last Friday's post, I added three more—from Kay Jernigan McGriff, Diane Mayr, and Carol Varsalona—to the final presentation. I
encourage you to
have another look at this diverse collection of poems.
Random.org has determined that a personalized copy of
Magic for Sale by Carrie Clickard and illustrated by John Shelley will go to. . .
LINDA BAIE
Congratulations, Linda!
Lucky Linda also happens to be this week's Poetry Friday roundup host. Join her at
TeacherDance where she's celebrating November's arrival with two seasonal cinquains.
