Showing posts with label Marilyn Singer. Show all posts
Showing posts with label Marilyn Singer. Show all posts

Tuesday, September 17, 2019

Book Love: WILD IN THE STREETS (Giveaway!)



We're celebrating a book birthday!

Congratulations to Marilyn Singer on her latest nonfiction poetry picture book, Wild in the Streets: 20 Poems of City Animals (Quarto Publishing, 2019), which has just been released into the urban wilderness TODAY!

Concrete, glass, tarmac, steel—
who'd imagine they'd appeal
to creatures that once lived
          in forests, caves, on prairies, rocks?
How did they land on city blocks,
under bridges, on rooftops
in playgrounds and drains
          (even in our houses, perhaps when it rains)?
What do they eat? Where do they sleep?
Who are these beings, beloved or reviled?
What wildlife can possibly flourish
          where life's no longer wild?
© 2019 Marilyn Singer, from WILD IN THE STREETS. All rights reserved.

This gorgeous and fascinating book tells the compelling stories of animals who have found homes in urban landscapes across the world. Some of them might be closer than you think! Humans may have built towns and cities, but we aren’t the only ones who live in them. Given the smallest chance—a park, a garden, a window box, a basement, a subway tunnel, a bridge—wildlife manages to survive in the city.

From the pythons traveling Singapore's sewers to the monkeys living in India's temples, from hyenas that roam the ancient Ethiopian walled city of Harar and river crabs who reside under ancient ruins in the center of Rome, to wild boars who wander the streets of Berlin, or, closer to home, coyotes who thrive in major cities like Chicago (and a slew of North American suburbs, including my own in Florida!), each colorfully illustrated spread of Wild in the Streets buzzes with city life and animal activity. The stories of these animals, foreign and familiar, are told through various poetry forms (described at the back of the book) and accompanied by informational text. Some poems are comical, some poignant, but all of them help the reader see the world in a different way.

Now I realize that the thought of a book about living with wild animals might give some readers pause (paws?), so as a precautionary measure, I thought I'd share . . .

5 easy ways to help make this book feel welcome 
in your neighborhood.

All words and pictures used in this post are from WILD IN THE STREETS, copyright © 2019 by Marilyn Singer and Gordy Wright. Reproduced by permission of the publisher, an imprint of The Quarto Group, Beverly, MA.
 
1. Pay your respects.


From Wild in the Streets, text © 2019 by Marilyn Singer, illustration © 2019 by Gordy Wright. Click image to enlarge.

2. Give flowers. 


From Wild in the Streets, text © 2019 by Marilyn Singer, illustration © 2019 by Gordy Wright. Click image to enlarge.

3. Invite it to dinner.


From Wild in the Streets, text © 2019 by Marilyn Singer, illustration © 2019 by Gordy Wright. Click image to enlarge.

4. Offer it the best seat.


From Wild in the Streets, text © 2019 by Marilyn Singer, illustration © 2019 by Gordy Wright. Click image to enlarge.

5. Sing its praises.


From Wild in the Streets, text © 2019 by Marilyn Singer, illustration © 2019 by Gordy Wright. Click image to enlarge.


And one more, if you can manage it—
throw a "welcome to the neighborhood" party!



















I hope you'll make WILD IN THE STREETS feel welcome in YOUR classroom, home, or library!

Purchase a copy at Amazon.com, Barnes and Noble, or via Indiebound.org 

or . . .




Leave a comment below for a chance to win a copy of Wild in the Streets: 20 Poems of City Animals courtesy of Quarto Publishing. Alternatively, you may send an email to TodaysLittleDitty (at) gmail (dot) com with the subject "WILD giveaway." Entries must be received by Tuesday, September 24, 2019. The winner will be selected randomly and announced on Friday, September 27th.


We're still meeting and greeting over at this month's padlet! New additions include all-about-me acrostic poems by Jone Rush MacCulloch, Sherry Howard, Michelle Kogan, Angelique Pacheco, Mindy Beth Gars Dolandis, Janet Clare Fagal, Tabatha Yeatts, Carol Varsalona, Bridget Magee, and Molly Hogan. Stay tuned for next week's end-of-month wrap-up celebration!


At this week's Poetry Friday roundup, Linda Baie reveals the cover and a few thoughts about a wonderful new book coming in February from Irene Latham and Charles Waters. You'll find that and many more poetry offerings at TeacherDance.





Tuesday, April 16, 2019

Classroom Connections with Marilyn Singer



It's a Two-for-Tuesday doubleheader!


TODAY'S READS

Have You Heard About Lady Bird?:
Poems About Our First Ladies

Marilyn Singer, Author
Nancy Carpenter, Illustrator

Disney-Hyperion (October 16, 2018)
ISBN: 978-1484726600

For ages 6-11, but older kids and adults like it, too.

Purchase at Amazon.com
Purchase at Barnes & Noble
Purchase via Indiebound.org



SYNOPSIS 

A book of poems about all of the First Ladies, it includes prose back matter, which elaborates on these fascinating women.


I'm the Big One Now!:
Poems about Growing Up

Marilyn Singer, Author
Jana Christy, Illustrator

Wordsong (March 5, 2019)
ISBN: 978-1629791692

For 4-8 year olds.

Purchase at Amazon.com
Purchase at Barnes & Noble
Purchase via Indiebound.org



SYNOPSIS

A book of poems that celebrate growing up and milestones both large and small in a young person's life, such as learning how to whistle, riding the school bus alone, and becoming an older sibling.


A LOOK INSIDE

Click on images to enlarge.

Text copyright © 2018 by Marilyn Singer. Illustrations copyright © 2018 by Nancy Carpenter.
From HAVE YOU HEARD ABOUT LADY BIRD?: POEMS ABOUT OUR FIRST LADIES (Disney-Hyperion).























Text copyright © 2019 by Marilyn Singer. Illustrations copyright © 2019 by Jana Christy.
From I’M THE BIG ONE NOW!: POEMS ABOUT GROWING UP (Wordsong).


ABOUT THE AUTHOR

Read Marilyn Singer's spotlight interview
on Today's Little Ditty HERE.

Winner of the 2015 Award for Excellence in Poetry, Marilyn Singer is the author of over one hundred books,  including six featuring young ballet student, Tallulah, and many poetry collections, such as Mirror Mirror (Dial/Penguin) for which she created the “reverso” form.  Her latest books are Have You Heard about Lady Bird?: Poems about Our First Ladies (Disney-Hyperion); I’m the Big One Now!: Poems about Growing Up (Boyds Mills); Hair! (Millbrook/Lerner); Who Are You Calling Weird? (Words and Pictures/Quarto); and Float, Flutter (Simon Spotlight). Coming out this fall: Who Named Their Pony Macaroni? (Disney-Hyperion); Gulp, Gobble (Simon Spotlight); and Wild in the Streets (Words and Pictures/Quarto). She co-hosts the Poetry Blast, which features children’s poets reading their work at ALA and other conferences. Avid bird-watchers and swing dancers, Marilyn and her husband live in Brooklyn, NY and Washington, CT with several pets.


CLASSROOM CONNECTIONS

Why is bringing poetry into the classroom important?

I believe that when we’re kids, we all like poetry—rhymes and songs and language that is sparkling and evocative. Good poetry surprises and enlightens. It sticks with us and moves us in ways that prose can’t (which is not a put-down of prose; it has to do with the compactness, imagery, words, and syntax that poetry uses). It helps with language development, with seeing things through different perspectives, with teaching us to listen, and, frankly, with opening our hearts. We lose the love of poetry through lack of practice and exposure and through over-analysis or disdain by the adults we know.

Teachers and parents can help us keep that love for poetry by offering it regularly and by showing their own affection for the genre. I find that some teachers (and parents, too) are scared of poetry. They think it’s high-falutin’ and difficult to understand.  I like to point out to them that there are many kinds of poetry and that there’s bound to be a type or even just a poem or two out there that will speak to you.

During a talk I gave to elementary school kids, one boy said he liked poetry because it was about feelings and he could express emotions in and through it. If that isn’t important, I don’t know what is!

Can you recount a specific instance of when poetry impacted a student or group of students in a positive way?

Well, I think I just gave an example above. Other instances come to mind, as well. I’ve given several Skype talks about my reversos, which are featured in Mirror Mirror, Follow Follow, and Echo Echo, all illustrated by Josée Masse and published by Dial/Penguin. A reverso is a poem with two halves—the second half reverses the lines of the first, with changes only in punctuation and capitalization, and it must say something different from the first half. The form seems to fascinate kids and adults alike. In classes I’ve spoken to, students generally write their own and read them to me. The satisfaction they get out of completing this difficult task—this literary game—is a delight to behold.

I also spoke to a poetry club at an elementary school and read a bunch of poems I’d written about frogs to show how a subject could spawn (pun intended) so many different types of poems and ideas about these amphibians. The kids gave me a big round of finger snaps, then read some of their work. A school with a poetry club? How fantastic is that!

How might your book be incorporated into an educational curriculum?

I think that a lot of my books can be incorporated into an educational curriculum. Teachers can use Rutherford B., Who Was He?: Poems about Our Presidents (illustrated by John Hendrix) and Have You Heard about Lady Bird?: Poems about Our First Ladies (illustrated by Nancy Carpenter), both published by Disney-Hyperion, to discuss history and to illustrate how prose and poetry can handle biography differently. 

For units on cultural diversity, Feel the Beat!: Dance Poems that Zing from Salsa to Swing! (Dial, illustrated by Kristi Valiant) and Every Month Is a New Year (Lee & Low, illustrated by Susan L. Roth) are good fits. My books for younger kids, such as A Stick Is an Excellent Thing (Clarion, illustrated by LeUyen Phan) and I’m the Big One Now (Boyds Mills/Wordsong, illustrated by Jana Christy), can help kids explore play and important, sometimes challenging, events in their lives and encourage them to write their own poems about these things. 

Can you suggest a specific classroom exercise related to each of your books?

For Have You Heard about Lady Bird?: have your class campaign for, then vote for favorite First Lady. 

For I'm the Big One Now: ask students to bring in photos, drawings, poems, or other material illustrating a special moment when they were younger—riding a bike, holding a new sibling, taking a trip, etc.

What is a simple, practical tip for teachers when it comes to incorporating poetry in the classroom?

Most importantly, teachers and students should get to know the many poetry books out there, and not just a few familiar ones. They should find poems they love, have fun with them, and definitely read them aloud. Poetry is an oral/aural form and it’s meant to be heard. They can stage performances and listen to audio books (Actor Joe Morton and I did audio books of all three reverso volumes for Live Oak Media, and there are many other wonderful audio books of poetry out there). And they should check out the article I wrote for School Library Journal about making poetry relevant and engaging:  http://marilynsinger.net/onwriting/knock-poetry-off-the-pedestal-its-time-to-make-poems-a-part-of-childrens-everyday-lives/. Lots of useful stuff there!

One favorite tip from the above article is this one: How about making poetry trading cards? It’s another way to fall in love with poems and the poets who write them. Plus, it’s easy to do. Start by asking your students to find a poem they like in an anthology. Then have them find a book written by the same poet and pick out another poem that appeals to them. Next, kids can copy their poems on blank cards and illustrate these with their own drawings or pictures from old magazines. Finally, it’s time to trade. If students don’t like the poems they receive, they can keep trading for another one.


CONNECT WITH MARILYN SINGER

Website: www.marilynsinger.net

Look for Who Named Their Pony Macaroni?: Poems about Pets in the White House (Disney-Hyperion), illustrated by Ryan McAmis, this fall!











Many thanks to Marilyn for participating in our Classroom Connections series for National Poetry Month, and to Hyperion and Wordsong for providing me with copies of Have You Heard About Lady Bird? and I'm the Big One Now! for two randomly selected TLD readers!

To enter, leave a comment below or send an email with the subject "Lady Bird Giveaway" and/or the subject "Big One Giveaway" to TodaysLittleDitty (at) gmail (dot) com by Tuesday, April 30, 2019. Winners will be announced on Thursday, May 2nd, so be sure to check back to see if you've won!

 * * * * * * * * * * * * * * * * * * * *

Check out the other Classroom Connections posts and giveaways on offer this month by clicking the names below!


Digital art © 2018 by Miranda Barnes,
based on a line from "Ghazal" by Tracy K. Smith.



TO FOLLOW:

The best way to keep up with the Classroom Connections series is by subscribing to Today's Little Ditty via email, which you can do in the sidebar. I will also be announcing the posts on social media. Like me on Facebook and/or follow me on Twitter (also in the sidebar) to stay informed that way. Catch up with Classroom Connections posts you may have missed by clicking on the "It's time to INSPIRE" icon in the sidebar, or by visiting my "Poetry in the Classroom" board on Pinterest.

Friday, April 1, 2016

Spotlight on Marilyn Singer + DMC Challenge


MARILYN SINGER
Photo: Laurie Gaboardi/The Litchfield County Times

Marilyn Singer is an award-winning author of over 100 fiction and nonfiction books for children and young adults, including poetry, picture books, and novels. She writes to satisfy her wide-ranging interests and has been recognized extensively for her work in multiple genres.  In 2015, Marilyn joined a prestigious group of children's poets as the latest recipient of the NCTE Excellence in Poetry for Children Award.  Here, she describes her response to the news of receiving that distinguished award:  
It's the one award I really, really hoped to win someday. Poetry is and always has been my favorite thing to write. I feel deeply honored by the award—and by the company I'm in, which includes many of my favorite poets.
Language Arts, Volume 93, Number 1, September 2015, © 2015 NCTE 

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Now it's my turn to feel honored, and thrilled, to welcome Marilyn Singer to the TLD spotlight for National Poetry Month!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


In preparation for today's interview, I enjoyed learning about Marilyn, discovering her warm and lively personality in videos like this one with Ed Spicer, and exploring her considerable bibliography. For a start, her website is a treasure trove of information and resources, including articles, interviews, writing tips, and even a FAQ for Children's Writers. I learned much more from my research than I can possibly share in one blog post, but here are three points that really hit home: 

Marilyn Singer is a product of poetry being read and sung to her at a young age. Although we are told by scholars that these things matter, Marilyn is proof.  From a young age, her parents read poetry to her and sang popular songs written by lyricist greats– Cole Porter, Ira Gershwin, Johnny Mercer, etc.  The exposure and encouragement led her to want to write poetry herself, which she did, starting from age 6.  Not surprisingly, she is now a huge advocate for reading poetry out loud. (Click here for some tips.)  
Marilyn Singer is a big believer in "cross pollination"— supplementing any academic subject with poetry. In this Reading Rockets interview, she explains that poetry "has the power to make the familiar mysterious and the mysterious familiar." A former teacher herself, Marilyn's 2010 article in School Library Journal, "Knock Poetry Off the Pedestal: It's time to make poems a part of children's everyday lives" lists several ways to incorporate poetry into the classroom.
Marilyn Singer is not one to shy away from a challenge.  Apparently, coming up with compelling book concepts and formats keeps her from being bored! Case in point: her challenging "reverso" poetry form which first appeared in her fairy-tale themed collections MIRROR MIRROR (Dutton Books for Young Readers, 2010) and FOLLOW FOLLOW (Dial Books, 2013).


For those new to this form, reversos are poems that can be read forwards or backwards to express two sides of one story. Marilyn discusses the reverso in greater detail later on in our interview.

ECHO ECHO: REVERSO POEMS ABOUT GREEK MYTHS
Dial Books (February 16, 2016)
ISBN: 978-0803739925
Find at Amazon.com, Barnes & Noble, or Indiebound.org
The highly-acclaimed form is back for a third time in ECHO ECHO: Reverso Poems about Greek Myths (Dial Books, 2016).

As if I wasn't excited enough just to be interviewing Marilyn Singer, I'm over the moon to be featuring ECHO ECHO. Granted, I've loved Greek mythology since I was a child, but to see these familiar stories being told in such a fresh new way is fantastic!

But what if you're not a longtime Greek mythology buff like I am? That's okay! You don't need to be since there is a brief summary of each myth across the bottom of every spread.


Besides the excellent (starred) reviews ECHO ECHO received from Publishers Weekly and School Library JournalThe New York Times had this to say:
Marilyn Singer’s ingenious ‘reverso’ poems are child-friendly feats of verbal pyrotechnics.
I mean, really, need I say more?  Probably not...  though I will anyway.

The Boston Globe described ECHO ECHO as  
The perfect supplement or introduction to Pandora, King Midas, Icarus, and the rest of the bunch of fantastically flawed gods, monsters, and mortals…easy and rewarding to read.
The Wall Street Journal described the collection as "delightful...vivid, glowing."

And speaking of delightful, vivid, and glowing, wait until you see the amazing illustrations by Josée Masse! Once again, just as she did with MIRROR MIRROR and FOLLOW FOLLOW, Josée Masse provides a feast for the eyes. With a palette of Mediterranean-inspired blues, golds, and greens, the stylized illustrations capture the dualistic nature of the reversos in gorgeous detail. Have a look at this video to see what was involved in making these illustrations come to life!

I'm sure I could rattle on about how much I love this book for at least another few paragraphs, but how about we let Marilyn take the floor for a while. Swing dancing, anyone?

Celebrating the release of Tallulah's Tap Shoes
(Clarion Books, 2015) with swing dancing at Barnes & Noble

Favorite pastime:
    Swing dancing

Favorite music:
    Show tunes

Favorite smell:
    Lilacs

Favorite childhood memory: 
Trick or treating at Halloween

Favorite quote:
“I don’t want to achieve immortality through my work; I want to achieve immortality through not dying.” – Woody Allen


What is your driving force as a children's author and what aspect(s) of your career do you enjoy the most?

I write because I couldn’t stop myself even if I wanted to.  I really do enjoy it most of the time, although it is a job and not a hobby.  I even enjoy rewriting (at least sometimes) because as a professional, I know it is essential to make the work the best it can be.


One of the things I find remarkable about your body of work is that you are prolific across many genres and a broad spectrum of interests. You’ve said that different parts of your personality express themselves in different ways. Do you ever find those interests to be in conflict with one another or in competition for your attention?

Mutual admiration society:
Marilyn Singer and a white-crowned hornbill
Well, I never feel that there’s enough time to do everything that interests me—from dancing to birdwatching to going to the theatre to reading to hanging out with friends to, of course, writing.  I don’t find these diverse interests a problem in terms of subject matter, though.  I like having a wealth of stuff I want to write about.


Your first two collections of reverso poems were based on fairy tales. The poems in ECHO ECHO are based on Greek myths. Did the change of subject matter lead to unique challenges in capturing the stories and/or points of view? Were there any myths that simply wouldn’t cooperate?

For all three of those books I had to refresh my memory about the fairy tales and the myths, probably more so with the latter.   Some of the myths were not PG enough for my book, notably anything having to do with Zeus seducing young women, so I had to leave those out.  Some were not well-known, so I omitted those as well.

For Follow Follow, my second book of fairy tale reversos, there were several tales that wouldn’t cooperate—“The Fisherman and His Wife” and “The Brave Little Tailor.”  I couldn’t figure out a way to have a second voice or point of view in the second half of the reverso, so I never included those.


For me, the thought of writing a reverso poem is both exhilarating and daunting. What do you consider the most challenging aspects and can you share any tips about how to piece one together?

Hoo, boy, all of it is challenging! A reverso is one poem with two halves.  The second half reverses the lines with changes only in punctuation and capitalization and it must say something completely different from the first half.  I’d say that making sure that second half says something different from the first is perhaps the most difficult aspect.


Text from ECHO ECHO, © 2016 by Marilyn Singer, illustrations © 2016 by Josée Masse.
Used with permission by Dial Books. (Click to enlarge.)

From ECHO ECHO: Reverso Poems about Greek Myths (Dial Books, 2016), text © Marilyn Singer.


I can’t really tell you how I write these poems.  I’m not being secretive—I actually don’t know.  I do know that I can’t always write them.  I have to be in a certain games-playing frame of mind. However, I can offer a few tips:
  • Find a story, subject, or character with two sides.
  • Start with a few lines that can be flipped so they make sense in reverse.
  • Select phrases that can be turned into questions and interjections.
  • Use a lot of participles, infinitives, and single word sentences.
  • Get to know punctuation—how can you use a comma, period, dash, colon, semi-colon, etc. to change meaning? 
  • Write the poem on the computer so you can move around the lines until they make sense.   
  • Don’t get discouraged—reversos are hard to write.  Play and have fun!

Please share a favorite spread from ECHO ECHO and tell us why it’s a favorite.

It’s hard to choose—I adore Josée Masse’s extraordinary art in all of the spreads—but I do love “Arachne and Athena.”  I’ve often read that poem at presentations because I think it’s a good example of opposing points of view and because it’s fun to perform two kinds of nasty.

Text from ECHO ECHO, © 2016 by Marilyn Singer, illustrations © 2016 by Josée Masse.
Used with permission by Dial Books. (Click to enlarge.)

From ECHO ECHO: Reverso Poems about Greek Myths (Dial Books, 2016), text © Marilyn Singer.


Internet Archive Book Images
If you could be any Greek god or goddess for a day, who would you choose and why?

I’d like to be Hermes—guide, messenger, healer, and trickster.  I like tricksters!  Plus he had winged sandals.  Who wouldn’t want winged sandals?


What’s coming up next for you?

I have three books coming out this fall—Miss Muffet, or What Came After (Clarion), illustrated by David Litchfield, which is a musical without the music about Miss Muffet and her cohorts, and What Is an Apple? and What Is a Banana? (Abrams), illustrated by Greg Pizzoli, which are rhymed picture books about the fun you can have with those fruits.  Next year, Dial will publish Feel the Beat!:  Dance Poems That Zing from Salsa to Swing, illustrated by Kristi Valiant; in 2018, the following will appear: Tallulah’s Ice Skates (Clarion), my sixth book about a young ballet dancer, illustrated by Alexandra Boiger; Have You Heard about Lady Bird?: Poems about Our First Ladies (Disney-Hyperion), illustrated by Nancy Carpenter; and I’m the Big One Now (Wordsong/Boyds Mills), poems about milestone moments for five- and six-year-olds, illustrated by Jana Christy.


Marilyn Singer, age 8
"With poetry, if I think I've gotten it right,
I want to hug myself." (Language Arts, 2015)
If you had all the world’s children in one room, what would you tell them?

Keep looking at the world with wonder and joy.
















Finally, what you have chosen as this month’s ditty challenge?

Poems inspired by the word “echo.”


What a wonderful challenge!

I especially love its flexibility since "echo" can be reflected in either form or content. Have another look at "Narcissus and Echo" (above) to see how Marilyn used "echo" in both form and content. But keep in mind, your poem does not need to be based on a myth. Nor does it need to be a reverso, though I expect some of you ambitious types might give it a go anyway.

Many thanks to Marilyn for today's interview and to the kind folks at Dial Books for providing me with a copy of ECHO ECHO. I will pass that copy along to one lucky DMC participant chosen randomly at the end of the month.


HOW TO PARTICIPATE:

Throughout the month send your "echo"-inspired poems to TodaysLittleDitty (at) gmail (dot) com or use the contact form in the sidebar to the right.

For children under 13 who would like to participate, please read my COPPA compliance statement located below the contact form.

Some poems may be published on the blog as daily ditties, but all of them will appear in a wrap-up celebration on Friday, April 29, 2016.


BLOGGER FRIENDS:
Thank you for publishing your poems on your own blogs– I love that!  Please also remember to send me a copy of your poem or a direct link to your post. That way I know I have your permission to post your poem on Today's Little Ditty.


* * * * * * * * * * * * * * * * * * * * *

Thanks again to all forty of you who participated in Amy Ludwig VanDerwater's challenge to write poems about small things. What an incredible collection of poems! We had a small flurry of DMC contributions after the wrap-up celebration was posted, so you might want to go back and take another look. The new poems are by Jane Yolen, Buffy Silverman, Cynthia Grady, Vivian Kirkfield, Leane Gill, and Angelique Pacheco.

Random.org has determined that the winner of a personalized copy of EVERY DAY BIRDS by Amy Ludwig VanDerwater and illustrated by Dylan Metrano is . . .

JANIE LAZOCongratulations, Janie!





National Poetry Month is served at last! 
Jama Rattigan is your go-to for the 2016 Poetry Month Kidlit Events Roundup! Find your helping of creative ways to celebrate at Jama's Alphabet Soup.


Our favorite keeper of small treasures, Amy Ludwig VanDerwater, is hosting the first Poetry Friday roundup of NPM 2016. You'll find an introduction to Amy's National Poetry Month project, "Wallow in Wonder," along with links to all of today's poetry goodies at The Poem Farm.