Tada! Isn't it adorable?
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| TERESA ROBESON |
Teresa Robeson is an author/illustrator who considers herself an author first—she has been writing professionally since 1991. Her poems, stories, and essays have appeared in magazines like Babybug, Ladybug, and Outdoor Indiana, and her speculative fiction appears in the Minnows Literary Group anthologies, where 100% of profits are donated to Doctors Without Borders. Teresa credits her "total nerd/geek-girl status" (her love of science fiction, science, and modern fantasy) to viewing the first lunar landing as a young child and being raised on a healthy dose of Star Trek. She credits her life-long love of children's literature to having never really grown up. Earlier this year, Teresa was competitively selected for a We Need Diverse Books mentorship with none other than Jane Yolen, so no matter where her interests take her, we can expect great things to come!
Born in Hong Kong, raised in Vancouver, and currently living on a Midwest homestead, Teresa has led an interesting life enriched by assorted hobbies and artistic pursuits. You can catch glimpses of these talents by visiting her two blogs: One Good Thing (where she posts her daily doodles) and Growing, Writing, Creating (where she posts about creative endeavors on the homestead).
I've invited Teresa to answer a few questions so you, too, can get to know this warmhearted, talented, and hardworking artist and writer.
Welcome, Teresa!
Artistic wannabes like myself tend to think that artists are born with a paintbrush in their hand (or at least a crayon). But surprisingly, you came to illustration much later. How did you come to recognize and nurture your drawing talents?
Art was never something I was interested in as a kid. I have a vivid memory of being in kindergarten feeling annoyed at being forced to paint something. I thought the easel with a blank piece of paper attached to it was rather lovely and didn’t need me to mar its zen-ness.
The first time I began to realize I might have some talent was when I took an art class in 11th grade. It was there that I discovered how much I love doing portraits. For several years I combined that love with my then-hockey obsession. I drew portraits of the players from the Vancouver Canucks and got them to autograph them. That was fun!
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| Signed portrait of Rick Lanz © T. Robeson |
The second time I realized I did have talent was when I took an art class for non-art majors at the University of Delaware where hubby was working on his Ph.D. The instructor, Bill Mammarella, was knowledgeable, engaging, and kind to all of us noobs, offering us a lot of constructive comments to help us learn and enjoy the process. He never singled me out for praise in class, but one day I was the last to leave class and a bunch of art majors had come in to hang out with him. He gestured to me as I said goodbye and told them that they should be thankful I wasn’t an art major because I’d blow them all away.
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| An assignment from Teresa Robeson's Drawing for Non-Art Majors class. |
That was the single most encouraging thing I had ever heard about my art. Sure, friends had complimented my work, but that’s what friends do because they love you. To have a professional, who is not a friend or family and who knows his stuff, assess my work so highly actually has significant qualitative merit. LOL!
As for nurturing, I don’t know that I’ve done enough for myself. I probably should have signed up to do a fine arts degree immediately after that compliment, but instead I went the autodidact route, taking classes here and there, now and then, to continue learning.
What turns you on, artistically speaking?
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| Find more portraits by T. Robeson here. |
One year, in lieu of taking a life drawing class, I sketched Jeopardy contestants while we watched the show. Since my family watches it with me, we don’t pause the show for me to draw, so they had to be done quickly. It was an exercise that trained me to observe critically, noting the feature(s) that define a person’s face and makes her/him unique. Giuseppe Castellano, the art director at Penguin who I took a couple of workshops with, thought it was a brilliant idea.
My favorite media are chalk pastels (I love the buttery Schminckes and Unisons), charcoal, ink, and watercolors. Oh, and of course graphite though I mostly use that for rough sketches these days.
I have a great love for yarn and want to start creating art with fibers one day, too.
While your art encompasses a variety of styles (traditional landscapes, portraiture, digital creations, Chinese painting, and more), I'm probably most smitten with your whimsical animal illustrations and sketches.
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| "Insult and Injury" © Teresa Robeson |
They have so much personality—each one with its own little story to tell. What can you tell us about the penguin poet and sea lion on the cover of The Best of Today's Little Ditty, 2016?
There are certain animals that I enjoy drawing more than others, penguins being among them, so I really wanted to include one on the cover. Also, it is a nod to my picture book critique group, the Penguin Posse.
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| The Best of TLD 2016 (back cover) © Teresa Robeson |
I loved one of your suggestions of having something interact with the TLD logo, and thought about animals that could go with the penguin and work with the logo. I’d recently drawn a sea lion in one of those little ink drawings I do for @drawonapostit on Twitter and so it was still fresh on my mind.
I brainstormed a scene involving the two and came up with the cover idea, which was to have the penguin start drawing the seal but then think, “To heck with drawing; I’m a poet!” and scribble an ode to the model instead. I found it amusing and hope you and your readers will, too.
You bet I do! And I love the extra appearances of this little penguin inside the anthology, too!
Can you share anything that's currently in the works—in terms of writing, illustrating, or both?
Well, it's no longer "in the works," but my recent exciting news is that I signed with an agent, the marvelous Natascha Morris of BookEnds Literary Agency! I also have a manuscript being considered by an editor and I’m writing/revising a young adult novel, the synopsis of which won this spring’s NESCBWI Pitchapalooza.
Tell us where we can see more of your work.
My work can be found at teresarobeson.com (including a page devoted to some of the Jeopardy contestant sketches I drew). I also post nearly-daily drawings at my blog - http://teresarobeson.wordpress.com - and on Instagram - http://www.instagram.com/tmrobeson. I have a Twitter account at http://www.twitter.com/teresarobeson and an author page on Facebook at http://www.facebook.com/TeresaRobesonAuthor.
Thank you so much, Michelle, for being a fan of my art and asking me to do the cover for this collection of Today’s Little Ditty poems. I’m thrilled to have both a poem and my artwork in this book!
Thank YOU, Teresa! It's an honor to have your art on the cover of The Best of Today's Little Ditty, 2016.
